games.fights.encounters

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games.fights.encounters

OnCurating Project Space + online
06 — 28 March 2020

With video works by Paloma Ayala, Baltenspezrger + Siepert,  Daniela Brugger, Luke Ching, Chto Delat, Enar de Dios  Rodríguez, Harun Farocki, Jeff Hong, Marc Lee, Yoshinori  Niwa, Dima Nechawi, Mohamad Omran, Uriel Orlow, Ursula  Palla, Robert Schlicht + Romana Schmalisch, Jonas Staal. And with participation of the activist and cultural groups: Architecture for Refugees Schweiz, Autonome Schule Zürich, The Creative Memory of The Syrian Revolution, ‘le peuple  qui manque – a people is missing’ (Kantuta Quiros, Aliocha  Imhoff), Love Lazers, Libreria delle Donne, foodwaste.ch/ OGG Bern, Progetto Oreste, Stadtlücken, Video Activism, Warsaw Biennale, Who writes his_tory?, The Media Officeof Kafranbel.

The presence of political discourse in contemporary art has  been firmly established for decades, with its intense and  important interventions. In our current political climate, where  in many states and nations the raging economics of global capital and its outcomes have in many instances been followed by reactionary votes and support for age-old heteronormative and identitarian fundamentalisms, the necessity of the  influence of political art and a range of voices dramatically increases. The accelerating success of populist rhetoric and increasingly concerning consequences of global warming only add urgency to the matter. It is fair to state that art and  activism on their own are not enough to open up minds and  affect the fundamental ground level change necessary to realise a fairer and more equal global society.

The exhibition developed for the OnCurating Project Space aims to make encounters possible without levelling off the essential differences between artistic and political activism. It simultaneously attempts to enhance a condition of plurality  and display a variety of voices grounded in different realities  and which claim disparate urgencies. The exhibition is designed to withstand the ensuing tension, and through juxtaposition, to create a conflict zone of the  existing artistic and activist approaches in all their  ambivalence, where new connections can be formulate.

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